saco-indonesia.com,

Jika Anda ingin memilih kantor yang tepat, mengambil identitas perusahaan Anda dan pada saat yang sama meningkatkan citra perusahaan Anda. Jadi apakah Anda bisa mendapatkan sama sekali. Salah satunya adalah stabilitas keuangan gagasan rencana “dan apa yang Anda inginkan Kecuali Anda berada di kantor,. Dan kami juga masih tidak bisa membeli, maka menyewa adalah pilihan yang sangat baik. Tersedia untuk dapat menawarkan pemeriksaan ruang kantor .. Ketika tujuan bisnis dari pelanggan Anda dan apa yang kita inginkan adalah kesan yang baik dari ide Berikut adalah beberapa hal yang perlu dipertimbangkan ketika memilih Kantor Rent, sebagai berikut:

    Lokasi juga harus mudah diakses oleh pengguna. Jika sulit untuk tempat, maka jangan, setiap perusahaan juga dapat menjadi alasan bagi pelanggan.
    Juga, staf karena jarak, mungkin sulit untuk pergi bepergian. Kantor tapi tinggalkan pekerjaan, atau mungkin untuk menolak alasan.
    Besar merek, atau bahkan orang yang telah memiliki ambisi yang sangat besar dan penting untuk dapat menjaga di kantor, untuk dapat menarik perhatian pada bersih dan rapi.
    Dari luar, itu juga harus meyakinkan dan pasien kusam atau membosankan, perumahan tidak akan terlihat. Jika memungkinkan, Anda juga harus bertemu dengan furnitur.
    Klien tidak boleh dianggap sebagai pertemuan formal dan informal dan bertemu dengan Anda untuk dapat mencapai keputusan bersama bahwa kita di kantor. Semua ini harus mempermudah kantor dukungan akan dilengkapi dengan hubungan berkualitas tinggi.
    Jika Anda berada di kantor, sehingga saham preferen dapat disewa. Sumber daya bersama, seperti air, bisa sumber daya, karyawan manusia, atau bahkan saat ini, penjaga, resepsionis, dll Tersedia
    Periksa semua fitur dan pastikan bahwa kantor dalam kondisi baik. Mekanik, listrik poin, air, dll, semua harus mengikuti. Menurut orang, termasuk konsumen, karyawan yang baik, dan, tentu saja, karena akan membuat kesan yang sangat baik.
    Pelajari cara untuk dapat menyewa kantor Anda sebelumnya, dia akan membuat deposit, ketentuan sewa, semua penutup, dll
    Anda juga harus tahu bagaimana untuk dapat memarkir mobil di karyawan dan klien mereka. Meskipun ini adalah tempat kecil, parkir yang baik.
    Jika Anda harus pergi ke perabot kantor Anda. Ini juga akan menjadi kantor multi-tujuan dan tidak boleh kelebihan beban. Ini juga menggambarkan suasana kantor profesional.

Setelah bergerak, telepon, internet akses, teh dan makanan ringan, Xerox, dan lini bisnis lainnya, memberikan semua yang Anda butuhkan untuk dapat mempersiapkan ruang kantor. Jika Anda hati-hati memilih dan melengkapi kantor, pekerjaan dapat ditangguhkan.

Editor : Dian Sukmawati

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.